Full Schedule
Day 1
Thursday, March 13, 2025
Coffee
Room 426/428
8:30am - 9am
Keynote Address: James McCartney
Room 426/428
9am - 10am
James McCartney studied computer science and electronic music at the University of Texas at Austin. He wrote music for various dance and drama productions in Austin, and later created the SuperCollider programming language for audio synthesis and algorithmic composition. For a few years he worked on the Hubble Space Telescope project on software for observation planning and data analysis. He worked for 16 years at Apple in the CoreAudio group. Now he is retired and pursuing further interests in possibilities for audio synthesis environments.
Paper Session 1
Room 426/428
10:20am - 11:40am
go to abstracts
YAWN
Mike McCormick
10:20am
MIRLCa
Anna Xambó
10:40am
JITModular
James Harkins
11am
supercollider-gst-rtp
Bruno Gola
11:20am
Concert 1
Bloomberg Center Theater
1pm
go to program
Antithesis (this is the part where I scream) by Maxwell Miller
Maxwell Miller, guitar & voice
the New Pulsar Generator by Marcin Pietruszewski
Marcin Pietruszewski, the New Pulsar Generator
RILF by Rachel Devorah Rome
Rachel Devorah Rome, electronics
Here comes a candle to light you to bed by Marcin Pączkowski
Marcin Pączkowski, motion sensors
Workshop Session 1
2:45pm - 3:45pm
Both workshops are one hour and occur simultaneously.
SPRAWL 3.0
Room 430
Led by:
Henrik von Coler
Orlando Kenny
With support from:
Ishaan Jagyasi
Henry Windish
Live4Life
Room 1020
Led by Christophe Lengelé
Paper Session 2
Room 426/428
4pm - 5:20pm
go to abstracts
SCKinect
Evan Murray
4pm
Sound Matching
Gerard Roma
4:20pm
A Case Study of Music Glyph Notation in SuperCollider using SMuFL fonts
Tom Hall
4:40pm
An Exploratory Analysis of SCTweets Classification and Similarity
Fellipe M. Martins
5pm
Concert 2
Bloomberg Center Theater
7:30pm
go to program
Thormulator by Thor Madsen
Thor Madsen, Thormulator
Infinite Movement by Dennis Scheiba
fixed media
Improvisation by Taarof
Matt Wellins, electronics
Parsa Ferdowsi, electronics
Improvisation by de_umbris.idearum
James Annett, electronics
Day 2
Friday, March 14, 2025
Coffee
Room 820
8:30am - 9am
Keynote Address: Lucile Nihlen
Room 820
9am - 10am
Lucile Nihlen has worked as a professional software developer for over 25 years, working across a broad variety of domains largely in the interactive and digital media spaces. She currently is focused on compilers, toolchains, and programming languages. She is a Senior Staff Software Developer at Google where she is the Technical Lead for Google’s production compiler toolchain. In her spare time she is the author of Hadron, a re-implementation of the SuperCollider interpreter and synthesis server written in Rust and based on LLVM. Lucile lives in Toronto.
Paper Session 3
Room 820
10:20am - 11:40am
go to abstracts
The code as the expression of its own vitalism
Luis Alfonso Tamagnini
10:20am
The New Pulsar Generator (nuPG)
Marcin Pietruszewski
10:40am
Live-Coding and AI Assistance for Dynamic Musical Instrument Design in SuperCollider
Steph OHara
11am
Stecker
Dennis Scheiba
11:20am
Concert 3
Bloomberg Center Theater
1pm
go to program
Improvisation using Lossy Codecs directed by Derek Worthington
James Annett, viola
Dustin Donahue, percussion
Kerrith Livengood, flute
Maxwell Miller, guitar
Mason Moy, tuba
Hyunkyung Shin, contrabass
Notoligotoma hardyi by Bruno Ruviaro
Dustin Donahue, percussion
2CUBES by Hyunkyung Shin and Henrik von Coler
Hyunkyung Shin, Contrabass & ARCube
Henrik von Coler, Modular Synthesizer & ARCube
Copper Ouroboros by Mason Moy
Mason Moy, tuba
Workshop Session 2
2:45pm - 3:45pm
Both workshops are one hour and occur simultaneously.
The Absolute Relativity
Online
Led by:
Alberto de Campo
Bruno Gola
Supriya
Room 820
Led by Joséphine Oberholtzer
Time Allocated for Visiting Installations
4pm - 5:30pm
Only footprints
by Drew Farrar
Room 822
Return to Tomorrow
by Michael Webster
Room 826
Concert 4
Bloomberg Center Theater
7:30pm
go to program
Sigil II: Amistad by Monte Taylor
Doug O’Connor, saxophone
saccades by Ted Moore
Doug O’Connor, saxophone
Improvisation by Kerrith Livengood
Kerrith Livengood, electronics & instruments
Day 3
Saturday, March 15, 2025
Installations:
Gamang
by Sarah Lecompte-Bergeron
Room 826
Coffee
Room 820
8:30am - 9am
Keynote Address: Christof Ressi
Room 820
9am - 10am
Christof Ressi is an Austrian composer, arranger, media artist and software developer. He studied composition and music theory, jazz composition and computer music and currently lives in Vienna. His artistic work spans various genres including contemporary classical art music, jazz, experimental electronics, and media art. He produces music, sound design and video for theater and dance productions and arranges music for all kinds of ensembles and instruments, including big band and orchestra.
Paper Session 4
Room 820
10:20am - 11:40am
go to abstracts
ARCube
Hyunkyung Shin
10:20am
Performing and Sharing Laptop Ensemble Repertoire
Joo Won Park
10:40am
Declarative SuperCollider
Scott Carver
11am
Expanding the landscape of SC through multimodal art
Joel Ong
11:20am
Concert 5
Bloomberg Center Theater
1pm
go to program
Harmonic Turbulences by Gaël Moriceau
Gaël Moriceau, T-Stick
Rock Music by Kyle Shaw
fixed media
Metacortical Modulations by Kosmas Giannoutakis
Kosmas Giannoutakis, electronics
Improvisation by mod f
Maxwell Gong, electronics
Alexander Wu, electronics
Paper Session 5
Room 820
3pm - 4:20pm
go to abstracts
THE COMPOSITION OF INTERACTIONS IN ‘GUERREIRA DAS PEDRAS’ (2024)
Afonso Fellipe Romagna
3pm
Block SuperCollider
Rohan Drape
3:20pm
ChessSynth
Victor Zheng
3:40pm
Polytempic Music with SuperCollider
Derek Worthington
4pm
Roundtable Discussion: “The Future of SuperCollider”
Room 820
4:30pm - 5:30pm
Banquet Dinner
Room 822
5:45pm - 7:15pm
Concert 6
Bloomberg Center Theater
7:30pm
go to program
Improvisation by Sam Pluta and Bonnie Lander
Sam Pluta, electronics
Bonnie Lander, voice
Live for Life by Christophe Lengelé
Christophe Lengelé, electronics
Live Coding Performance by Eli Fieldsteel
Eli Fieldsteel, electronics